Flamboyant trees

Delonix regia is a species of flowering plant in the family Fabaceae. It is noted for its fern-like leaves and flamboyant display of flowers. In many tropical parts of the world it is grown as an ornamental tree and in English it is given the name Royal Poinciana or Flamboyant. It is also one of several trees known as Flame tree.

In India it is known as Gulmohar in Hindi. It is also known there as Krishnachura 

The Delonix Regia is found in Madagascar's dry deciduous forests. In the wild it is endangered, but it is widely cultivated elsewhere. In addition to its ornamental value, it is also a useful shade tree in tropical conditions, because it usually grows to a modest height (mostly 5 meters, but it can reach an maximum height of 12 meters) but spreads widely, and its dense foliage provides full shade.

The Royal Poinciana is most commonly propagated by seeds. Seeds are collected, soaked in warm water for at least 24 hours, and planted in warm, moist soil in a semi-shaded, sheltered position. In lieu of soaking, the seeds can also be 'nicked' or 'pinched' (with a small scissors or nail clipper) and planted immediately. These two methods allow moisture to penetrate the tough outer casing, stimulating germination. The seedlings grow rapidly and can reach 30 cm in a few weeks under ideal conditions.

The Way of Tea

 At a full-length formal tea ceremony (chaji), the guests first gather in a waiting room where they are served a cup of the hot water that will be used for making tea later on. They then proceed to an arbor in the garden and wait to be greeted by the host. This takes the form of a silent bow at the inner gate. Guests then proceed to a stone wash basin where they purify their hands and mouths with water and enter the tearoom through a low entrance, designed to remind them that all are equal. Guests admire the hanging scroll in the alcove, which is usually the calligraphy of a Zen Buddhist priest, and take their seats, kneeling on the tatami (reed mat) floor. After the prescribed greetings, the host adds charcoal to the fire and serves a simple meal of seasonal foods, just enough to take away the pangs of hunger. This is followed by moist sweets. Guests then return to the arbor and wait to be called again for the serving of tea. The tea container, tea scoop, and tea bowl are wiped in a symbolic purification, the rhythmic motions of which put the guests into a state of focused calm. Tea of a thick consistency is prepared in silence and one bowl of tea is passed between guests, who drink from the same place on the bowl in a symbolic bonding. The host then adds more charcoal to the fire, serves dry sweets, and prepares tea of a thinner, frothier consistency. During this final phase the atmosphere lightens and guests engage in casual conversation. However, talk is still focused on appreciation of utensils and the mood. It is the main guest’s duty to act as a representative of all those present and ask questions about each of the utensils and decorations chosen for the gathering and to work in unison with the host to ensure that the gathering proceeds perfectly, with nothing to distract the guests from their inspiration.